Encaustic and mixed media on Japanese paper
12.5 x 9.5 matted
Encaustic Monotypes are one-of-a-kind paintings. They are created on a heated palette using encaustic pigment. The encaustic is then transferred to paper much like a printing process. It cannot be duplicated. The monotype is made by laying a thin piece of paper on hot wax. Once the paper is put down and pressed into the wax, the wax soaks into the paper, the exact design and thickness of wax can never be repeated.
Encaustic on Japanese paper
20×16 matted
Encaustic Monotypes are one-of-a-kind paintings. They are created on a heated palette using encaustic pigment. The encaustic is then transferred to paper much like a printing process. It cannot be duplicated. The monotype is made by laying a thin piece of paper on hot wax. Once the paper is put down and pressed into the wax, the wax soaks into the paper, the exact design and thickness of wax can never be repeated.
Encaustic on Japanese paper
28×20 mattted
Encaustic Monotypes are one-of-a-kind paintings. They are created on a heated palette using encaustic pigment. The encaustic is then transferred to paper much like a printing process. It cannot be duplicated. The monotype is made by laying a thin piece of paper on hot wax. Once the paper is put down and pressed into the wax, the wax soaks into the paper, the exact design and thickness of wax can never be repeated.
Encaustic on Japanese paper
28×20 matted
Encaustic Monotypes are one-of-a-kind paintings. They are created on a heated palette using encaustic pigment. The encaustic is then transferred to paper much like a printing process. It cannot be duplicated. The monotype is made by laying a thin piece of paper on hot wax. Once the paper is put down and pressed into the wax, the wax soaks into the paper, the exact design and thickness of wax can never be repeated.
This large sculpture has a substantial presence in any room or office. It is hand-built using coil construction, which was used by indigenous peoples for centuries, as was the pit-firing in the sand at Dillon Beach on the north coast of California. It’s unglazed, which makes the process non-toxic and the fire leaves soft peach to beige to gray and black coloration naturally.
Encaustic on Japanese paper
20×16 matted
Encaustic Monotypes are one-of-a-kind paintings. They are created on a heated palette using encaustic pigment. The encaustic is then transferred to paper much like a printing process. It cannot be duplicated. The monotype is made by laying a thin piece of paper on hot wax. Once the paper is put down and pressed into the wax, the wax soaks into the paper, the exact design and thickness of wax can never be repeated.
Encaustic on Japanese paper
20×16 matted
Encaustic Monotypes are one-of-a-kind paintings. They are created on a heated palette using encaustic pigment. The encaustic is then transferred to paper much like a printing process. It cannot be duplicated. The monotype is made by laying a thin piece of paper on hot wax. Once the paper is put down and pressed into the wax, the wax soaks into the paper, the exact design and thickness of wax can never be repeated.
Encaustic on Japanese paper
20×16 matted
Encaustic Monotypes are one-of-a-kind paintings. They are created on a heated palette using encaustic pigment. The encaustic is then transferred to paper much like a printing process. It cannot be duplicated. The monotype is made by laying a thin piece of paper on hot wax. Once the paper is put down and pressed into the wax, the wax soaks into the paper, the exact design and thickness of wax can never be repeated.
This bright 3 ft x 3 ft mixed medium canvas brings a splash of energy into any room like sunshine. There is a poem by the same title on the back.
Chocolate brown sand from Taos makes the color on this 3×3 ft canvas with silver leaf and burnished aluminum.
Art enables us to find ourselves
and lose ourselves at the same time.
~Thomas Merton
Sign up to get our emails.
Connect with us.
