Low tide, exposed rock strata, Schooner Gulch State Beach.
Iris, Tokyo
Early June iris, peaceful gardens in the heart of bustling Tokyo
Safe Harbor
An October sunset in Bodega Bay.
Shifting Tides
The confluence of tides at Fitzgerald Marine Reserve, Moss Beach.
Elegy
A garden in Kyoto’s Heian Shrine in June, an homage to a beloved sister.
The Singularity of Will
This work explores the “spaces in between”—the invisible membranes where the physical and spiritual planes intersect. “The Singularity of Will” serves as a visual map of, what I call, the “innerverse” at the precise threshold of transition. It documents the high-stakes geography of the verge, capturing the heavy, holy pause that occurs just before an individual chooses to dismantle the structures of the past to inhabit a more luminous future.
This composition is constructed through deliberate layers of “psychic debris,”representing the fragments of our identity that we must shed during the unsettling process of becoming. While the periphery of the piece holds the weight and shadow of what was, the center reveals a radiant, structured glow. This focal point represents the “Event Boundary”—the cognitive reset triggered when we stand on the precipice of a psychological doorway and allow our internal landscape to update.
The Singularity of Will is an invitation to dwell within the “holy pause” of liminality—the profound awe found at the threshold of change. It is not a depiction of the journey’s end, but a visual documentation of the deep breath taken before action, and it honors the immense courage required to allow one’s internal landscape to update. This piece captures that exact moment where disorientation yields to insight, and the spirit’s actualizing tendency pulls the observer toward the radiant joy of becoming.
“The Singularity of Will”
Acrylic
24x24x2
March 2026
Fragments of Time
In “Fragments of Time,” I treat the canvas as a neurological landscape to map the psychology of memory reconsolidation—the delicate window where a memory is retrieved, becomes unstable, and is ultimately rewritten. My process of layering and erosion replicates the brain’s storage systems; I build up dense “memories” in acrylic only to distress them, mirroring the physical decoupling of an event from its original emotional sting. By “dissolving the old” reactive patterns through this weathering, I visually dismantle the trauma of a memory while leaving the wisdom of the experience intact.
The prominent vertical “scarring” functions as the activation site—the precise moment a memory is recalled and opened. The space surrounding these vertical elements serves as a safe site for reprocessing, inviting a bridge between past pain and current spiritual transformation. This journey is reflected in the transition from dark to light tones, mapping the mind’s movement from limbic distress to cognitive integration. While the shadowed depths represent the weight of unprocessed experience, the ethereal, shimmering light breaking through the layers signifies the successful reconsolidation of the self. In this “in-between” space, the psychic debris of the past is finally transmuted into a resilient, illuminated, and integrated history.
“Fragments of Time”
Acrylic
24×24
March 2026
Sixth Summer
24 x 30 oil painting of children at beach
San Quentin Beach
digital painting on Wacom tablet. print 14 x 18″.
Dream Glow
Dream Glow is a quiet blend of warm neutrals—gold, bronze, white, and silver—that evokes a sense of calm and serenity. Its softly shimmering layers invite peaceful reflection, carrying a gentle light that feels both subtle and enduring while capturing a luminous balance of warmth and light.
Dimensions (H x W x D)
40 x 30 x 0.75 in
