Hallucinations under the Orange Ocean” is a mesmerizing abstract artwork inspired by the ethereal beauty of whale sounds and the intricate patterns of spectrograms. The piece immerses viewers in a vibrant, undulating sea of orange hues interspersed with swirling accents of blue, pink, and yellow. Each wave-like form and color gradient evokes the rhythmic, haunting melodies of whales, as if their songs are visualized through the dynamic flow of shapes and colors. This captivating composition invites one to dive into a dreamlike underwater realm, where the unseen harmonies of the ocean come to life in a symphony of visual hallucinations.
Whale Eye Looking at the depths of the Ocean
Description
“Whale Looking at the Depths of the Ocean” is an introspective work that seeks to explore the emotions and feelings of a whale. Aren’t we all reflecting similarly when we gaze at the sky, attempting to predict the future, and seeking hope and happiness? The curves and swirling patterns in this artwork symbolize the complexities of this contemplative process. Life is never easy, whether for humans or whales. Whales face threats such as ship strikes, entanglement in fishing nets, plastic pollution, and loss of fish habitat.
I begin with hand-drawn waves and spectrograms—the visible traces of whale calls. Those pencil lines become the scaffold for layered bands of peach, rose, lavender, and midnight blue, which I then refine and color digitally. The result is a skin of sound: ribbons that fold and unfurl like currents, each curve borrowed from the contours of a call, a breath, a pause.
In this piece, the eye of the whale is not a single pupil but an assembly of waves, gazing into the depths. The layered forms suggest lids, lashes, and the soft shadow of a socket, while the deep blues hold the quiet at the center. Through these shapes I wanted to express intimacy, curiosity, and wisdom—the felt sense that whales read the ocean with sound and memory. The warm hues carry closeness; the cool tones carry distance; together they become a look that listens.
“Whale Eyes” is an invitation to meet that gaze. As the spectrogram lines braid into flowing anatomy, the image asks you to lean in—to hear the hush between notes, to sense the calm intelligence behind the eye, and to let the ocean’s unseen harmonies come into view.
Green/gold enmel lef earrings with peridot
Green enamel lef earrings with peridot set in sterling silver.
Diving into the Depths of The Ocean
Gold/pink leaf earrings with tourmaline
Gold and pink enameled leaf earrings with pink tourmaline set in sterling silver.
Brave Little Hunter in Zeballos
“Brave Little Hunter in Zeballos” is a poignant and evocative artwork capturing the resilience and spirit of a young orca who faced adversity. Inspired by the real-life story of an orca calf who lost her mother in late March 2024 and became trapped in Zeballos, the piece renders her struggle and ascent through intricate lines and swirling patterns in shades of blue, purple, and pink. The central figure, gracefully leaping toward the sky, embodies a journey of survival and hope, while the full moon and rising tides in the background mark her late-April liberation—honoring both the power of nature and the strength of the orca’s spirit.
Beneath that emotion lies the deep family fabric of orca life. Orcas live in matrilineal, matriarchal pods—often five to eight individuals—led by the eldest mother. Based on current research, the length of time a calf “needs” to stay with its mother ranges from several years to, in many cases, an entire lifetime. In the first 1–2 years, a calf is completely dependent: it nurses on the mother’s high-fat milk to build insulating blubber and withstand cold seas. After weaning, a multi-year learning phase begins; the calf remains socially and nutritionally tied to its mother as she teaches essential skills—how to hunt, what to eat, where to travel, and how to communicate. For roughly the first five years, the calf is in a constant state of learning.
In many well-studied populations (such as the Pacific Northwest’s resident killer whales), these bonds are lifelong. Both sons and daughters typically remain with their mother’s pod for life—hunting, traveling, and socializing as a tight-knit family. Remarkably, adult sons often remain highly dependent: mothers share food with them and support them in encounters, measurably improving the sons’ survival. This long-term care can be so intensive that it may reduce a mother’s chances of having another calf—a profound testament to matriarchal investment and cultural continuity.
By situating the young orca’s story within this living lineage—knowledge passed from elder to youth, care extended across decades—the artwork becomes both tribute and testimony: a visual hymn to bravery, family, and the ancestral guidance that carries a calf from peril toward freedom.
J63 her her Mom Diving into the Kelp Forest
Gray Whales of The San Francisco Bay
J62 and Her Mom in the Salish Sea
Set in an imagined Haro Strait with Mount Baker lifting above the San Juan Islands, this piece honors the bittersweet arrival of J62, a newborn in the critically endangered Southern Resident Killer Whale (SRKW) community. Kelp curls in the foreground while mother and calf slip through bands of luminous blue, grounding the scene in the Salish Sea.
The patterned surfaces are drawn from whale sounds—motifs inspired by spectrograms and echo-like waves. Look closely and you’ll see whale sound waves/patterns reflected across the mother’s body, a visual metaphor for how sound inhabits and defines orca life: it is how they find salmon, navigate, and communicate, passing knowledge through matrilines from grandmother to mother to calf.
J62’s birth—confirmed on New Year’s Eve 2024—arrived the same day the community learned of the loss of another newborn, J61, a stark reminder of SRKW fragility. That J62 is female matters deeply: future recovery depends on reproductive females, and she was born into a strong line—her mother J41 “Eclipse,” siblings J51 “Nova” and J58 “Crescent,” and grandmother J19 “Shachi.”
You’ll notice J62 is painted in orange. Newborn killer whale calves naturally show orange-tan patches—especially where the “white” will later be—because their blubber is still thin and blood vessels show through, giving a warm, amber cast that fades to crisp white as they grow. That neonatal glow is a symbol of beginnings, so I let it shine here.
The work also bears witness to a hard truth. Recent research underscores how noise pollution elevates stress, disrupts communication, and impedes foraging for Chinook salmon, the whales’ primary prey. Against that din, the mother’s resonant patterns and the calf’s bright arc become a vow and a hope: that a quieter sea will let their voices carry, their families thrive, and their future unfold.
A 2024 NOAA–UW study shows vessel noise masks echolocation and reduces foraging efficiency and success in Southern Resident killer whales; earlier work finds slower, quieter ships increase foraging and that vessel speed/sound lowers prey-capture probability.
References
- Tennessen, J. B., Holt, M. M., et al. (2024). Males miss and females forgo: Auditory masking from vessel noise impairs foraging efficiency and success in killer whales. Global Change Biology.
- Williams, R., Ashe, E., et al. (2021). Reducing vessel noise increases foraging in endangered killer whales. Marine Pollution Bulletin, 173, 113012.
- Holt, M. M., Tennessen, J. B., et al. (2021). Vessels and their sounds reduce prey-capture effort by endangered killer whales (Orcinus orca). Marine Pollution Bulletin, 171, 112708.
Emerald Eco – Right Whales of Cape Cod
Each late winter into spring, North Atlantic right whales gather in Cape Cod Bay’s emerald waters, where green plankton blooms thicken the sea and sunlight ripples across the shallows. Here they skim dense swarms of Calanus copepods at or near the surface—one reason they’re so vulnerable to vessel strikes and fishing-gear entanglement.
My artwork translates this scene into sound and color: layered ribbons trace the sound waves right whales use to stay in touch in turbid water. Their signature upcall concentrates near 50–100 Hz, most calls sit below ~400 Hz, and sharp “gunshot” transients can reach ~1–2 kHz—low voices that carry across the bay.
Status & conservation (new figures)
Population: The North Atlantic Right Whale Consortium’s 2024 estimate is 384 whales ( +10/–9 )—a 2.1% increase from the recalculated 2023 estimate of 376 ( +4/–3 )—continuing four years of slow growth. The update was released Oct 21, 2025 around the Consortium’s annual meeting (Oct 22–23, New Bedford, MA).
Mortality & injuries: After a difficult 2024 (five deaths, 16 entanglements—10 with attached gear—and eight vessel strikes), 2025 to date has logged no deaths, one new entanglement injury (no attached gear), and one vessel strike. Some whales remain entangled from prior years, including Catalog #5110, seen again in Cape Cod Bay (Apr 2025) still carrying rope despite a partial disentanglement—underscoring the need for prevention, not just response.
Calves: Eleven calves were documented in the 2024–25 season, with four first-time mothers. Notably, “Accordion” (#4150) was first seen with a calf off New York (Feb), and “Monarch” (#2460) in Cape Cod Bay (Apr).
Protection toolkit: Seasonal 10-knot speed limits and routing, real-time acoustic and aerial monitoring, on-demand/ropeless fishing trials, targeted closures, and expert disentanglement teams remain critical—and require continued collaboration across U.S. and Canadian waters.
In the painting, the emerald shallows and golden haze of light mirror the bay at peak season, while sinuous motifs echo calls pulsing through the water. With only ~384 whales left, every quieted propeller, every safer line, and every calf makes the difference between a fading echo and a growing chorus.


















































