Digital collage on paper 9.5″ x 13″. (Price is for framed unframed prints are $35.)
The Affictitious Historiaster, Plate VI: Lieutenant Colonel Levfebre’s Discipline
Digital collage on paper 9.5″ x 13″. (Price is for framed unframed prints are $35.)
Who are we? Where are we from? Where are we going? II
Assemblage on antique printer tray 32″ x 17″.
Squares (Chicago)
windowscape (single exposure window reflection)
Looking through glass is always surprising. Changing the camera angle changes the reflections; shadows change the way objects show or do not show. Inanimate objects in a window can seem to have personality as photographs are inanimate and yet arouse feelings. They evoke our double life: who we are inside and what we become outside.
Treehouse (Big Sir)
windowscape (single exposure window reflection photograph)
Looking through glass is always surprising. Changing the camera angle changes the reflections; shadows change the way objects show or do not show. Inanimate objects in a window can seem to have personality as photographs are inanimate and yet arouse feelings. They evoke our double life: who we are inside and what we become outside.
walkway 2015
walkway 2015
Windowscapes and Bodyscapes
Reflections seeing inside and outside through a single exposure photograph and female form reflecting the landscape at the beach.
display 2017
MOS 2017
Inside Outside, Chicago
from the series Windowscapes
These photographs are each a single exposure. They are created directly by capturing window reflections that merge with what is on the other side of the glass. These photographs are not created by layering in Photoshop. Looking through glass is always surprising. Changing the camera angle changes the reflections; shadows change the way objects show or do not show. Inanimate objects in a window can seem to have personality as photographs are inanimate and yet arouse feelings. They evoke our double life: who we are inside and what we become outside.
Pink Bicycle, Florence
from the series Windowscapes
These photographs are each a single exposure. They are created directly by capturing window reflections that merge with what is on the other side of the glass. These photographs are not created by layering in Photoshop. Looking through glass is always surprising. Changing the camera angle changes the reflections; shadows change the way objects show or do not show. Inanimate objects in a window can seem to have personality as photographs are inanimate and yet arouse feelings. They evoke our double life: who we are inside and what we become outside.
