Encaustic on Wood 20 x 26
Betty’s Moving Garden
14H 6L 6W Raku-fired Ceramics
Not For Sale
Hot out of the kiln – unglazed work in progress for 2022 Open Studios
THis is a picture of a whole kiln load of bisqued ceramics that I need to glaze (color) in order to have finished pieces.
Crying City
Acrylic on 60″x48″x1.5″ canvas
Lavender Sky
Acrylic on Canvas
Fiber Work Currently located at the O’Hanlon Center Arts, Fiber Exhibition
“Couching” Legos Artist Statement
For the past several years, my work has been focused on the environment, in this series I am actively involved in recycling and presenting as art what I have found and re-purposed. With this work I am objectively presenting what children play with. It is loosely laid out in a Mandala form, with the colors representing the 5 elements.
Receiving a 60 day notice to move in September 2020 while the fires were raging, having the daunting task of moving 3 boys during the school year and the Pandemic I roamed the house. While deciding what to do with my children’s legos, I decided to form mandalas of the elements of sorts with the random lego pieces I found while sorting and recycling.
I place the legos on the fabric and sew what I am able in a sitting, then dump them back into the box: when I return to the work, I redesign from where I left off. I am creating from a place of spontaneity and intuitive design. Using the ancient technique of couching, or Opus Anglicanum, where pure gold or metal thread is wrapped around a silk core,I use metal thread to sew the legos onto the fabric.
I leave the viewer to contemplate what is there.
Gathering Ocean
Stitched with the intention to bring health and wholeness to our community and world during the 2020 Pandemic. I utilized natural fabrics such as Belgian linen designed locally, heirloom linens, cottons, silks, and indigo dye as my mediums to “gather” in the essence of the ocean. The intention behind every stitch was to honor the elements.
Baby Blue
Melissa Parhm | Artist Statement
Baby Blue, Silverpoint on Prepared Panels, 2020
Luminosity and unseen communication drive my work. The elements–earth, air, fire,
water, and space–are my muses. I create from a place of stillness and allow my work to
develop organically.
Baby Blue, is a visual response to whales found beached on Bolinas and Agate Beach. It is a way to honor their life and bring awareness to our oceans and the health of the beings that live in them.
With Baby Blue I begin by preparing the panels in order to create a foundation for the silver. Building up many layers of luminous ground enables the interplay of light with the silver, creating a three-dimensional effect. The sun’s rays shifting on the panel’s surface results in an image that is ever-changing. New forms emerge and dissolve, like ocean waves.
Drawing with silver is sustainable and connects me to the lineage of artists I’m influenced by who worked in silverpoint in the ages before graphite was discovered and mined. I go into my studio, the elements, I contemplate their underlying wisdom. They are all we have; they are the matter we are made of.
www.melissaparhmfineart.com 415-377-7946
Marcher sur le Danube
Marcher sur le Danube.
From the Landscape series. 48×48 inches, original one of a kind archival ink print on Hahnemuhle German Etching paper. Framed with walnut.
Veri Peri
From the Abstrakte Kunst series. 48×48 inches, original one of a kind archival ink print on Hahnemuhle German Etching paper. Framed with walnut.
Fendi SS22 Two
Fendi SS22 Two, from the Abstrakte Kunst series. 48×48 inches, original one of a kind archival ink print on Hahnemuhle German Etching paper. Framed with walnut.


















































