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Koorosh Ostowari published in March 7, 2025

Untitled

30X48 Acrylic on canvas

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Dianne Lewis Hull published in March 4, 2025

St. Vincent’s Eucalyptus

Mountains beyond St. Vincent.

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Mansoor Assadi published in March 3, 2025

Winter day in Hokkaido

A winter snowey day in Hokkaido, Japan

Feburary, 2025

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Chris Adessa published in March 3, 2025

The Last Resort

This painting hung in the di Rosa Center for Contemporary Art biennial  TRUE NORTH in 2024-2025, an honor to be included a second time.  Titled The Last Resort the painting is 48 inches tall by 12 inches wide and a lovingly painted portrait of a Victorian button hook, but also a reference to the Dobbs decision.  It is from my Everyday Sacred series.

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Chris Adessa published in March 3, 2025

The Whisk

From my series Everyday Sacred, The Whisk to whip up something nourishing.

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Chris Adessa published in March 3, 2025

Santoku

From my Everyday Sacred series into the kitchen… Santoku, a special knife I turn to for most every task.  It is lovingly cared for, used and painted, to reflect my respect as a source of nourishment in my home.

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Stacie Velten Remy published in March 2, 2025

Sweet Dreams of the Future in an Authority Patch

Through its use of symbolism, structure, and narrative, “Sweet Dreams of the Future in an Authority Patch” explores the dynamics of power, control, and personal sovereignty. It invites viewers to reflect on how authority shapes our experiences from youth, and how individual resilience combined with collective wisdom can lead to transformation within or against established systems. The painting delves into the dynamics of authority and personal autonomy while maintaining the focus on growth, transformation, and personal evolution.

Interpretation of Key Elements:
The Bifurcating Line: The horizon line divides the painting into two realms—above and below, governed and ungoverned. The building above may represent the structures of established power, while what lies below might symbolize an alternate or subversive space where different rules apply. The line challenges viewers to consider both visible and invisible forces of control. The line can also be interpreted as parallel worlds, happening simultaneously. It could suggest that tracing and reframing a memory could lead to an alternative view.

The Central Figure with Flowers and Thorns: The central figure’s flowers and thorns symbolize her growth, resilience, and transformation. Once sources of pain, the thorns now act like tattoos—reminders of the challenges she has endured. Her floating posture reflects liberation and wisdom gained from these trials, balancing sweet dreams with harsh realities. The flowers and thorns also represent constraints imposed by authority—whether societal, institutional, natural, or internalized. Her weightlessness underscores the delicate balance between her aspirations and the challenges she continues to face.

The Prismatic Compass and Skylight: The compass, symbolizing strategic navigation, and the skylight, representing enlightenment, reflect her attempts to maneuver through systems of power and authority. The prism bends light, suggesting that her vision of the future is hopeful but fragmented, distorted by past struggles. As her dreams are refracted through the lens of her pain, the compass points to the complexity and uncertainty of her journey forward, requiring precision and caution.

The Home and Ant: The childhood home, free of thorns, represents personal origins and resilience, filled with memories of growth and play. The ant symbolizes collective effort, perseverance, and grassroots movements that challenge dominant power structures. The ant, tirelessly working, reflects wisdom gained through cooperation and strategic thinking, underscoring that lasting change often arises from consistent, individual and community-driven efforts.

Abstract Representation of the Face: The obscured, abstract face highlights the universal nature of the figure’s struggle. This lack of specificity in identity invites viewers to project themselves into the figure, emphasizing the fluidity of self during transformation. The face’s abstraction symbolizes the personal journey of overcoming both external and internal pressures, focusing on the inner struggle more than outward appearances. It serves as a metaphor for emotional protection and distance, as the figure guards her evolving self from the harshness of authority.

The Metal Square and Text: The phrase “All Bills Payable are Payable the First of,” alongside the metal square, serves as a reminder of the inescapable dues we owe to authority, whether through compliance, rebellion, or negotiation. The square reinforces the inevitability of confrontation with structures of power—whether through direct conflict or the quiet accumulation of personal agency. It could be reinterpreted as what the figure owes herself, with only one unique life to live out.

Ant as a Symbol of Collective Wisdom: Ants are social creatures known for their cooperation, resilience, and efficiency. Their behavior illustrates the importance of communication and shared effort in overcoming challenges, reflecting how collective wisdom is often more powerful than individual knowledge. The ant’s presence in the painting symbolizes the value of perseverance and subtle influence—how even the smallest actions can lead to meaningful outcomes.

The artwork size is 40″ x 40″, mixed media on maple plywood, signed.

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Mansoor Assadi published in February 26, 2025

Family on the move

Family on the Move

Amboseli National park, Kenya

October 2024

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Fawn Bailey published in February 25, 2025

Pacific Edge

36×36″ acrylic on wood panel.

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Fawn Bailey published in February 25, 2025

Voices of Millenia

18×60″ acrylic and collage on panel.

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Art enables us to find ourselves
and lose ourselves at the same time.

~Thomas Merton

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