This piece examines the impact mankind has had on the native bee populations. In the field, one can see the representational honeycomb fading away under weight of the negative impacts we have had on their ecosystems.
“Bye Bye, Bee Bee”
Acrylic
10x10x2
June 2025
This piece highlights the negative impact that human activities (represented by the tire tracks) have on bodies of water. This piece asks us to look at how the contaminates we produce leach into our waterways thus creating hostile environments for all living things.
“Turbidity”
Acrylic
10x10x2
June 2025
Unframed stretched canvas
Marin Hills – Ceramic, wire and Rattlesnake grass woven onto top of sculpture. Female torso. Inspired by the rolling golden hills of Terra Linda and Marin .
Yoga breathing and colors I experienced when practicing.
As women we have been shackled in many ways, voting being just one. My Art has always been connected to freedom. Freedom to show the female form. Freedom to express my views on our social and political climate. Freedom from family and upbringing. Freedom from the sexual stereotypes that are imposed upon us as young girls and women. Freedom to express my feelings through Painting and Sculpture.
My BODY ART series features different parts of the female torso whose shape and form inspires my work. The female body becomes the foundation upon which I build by sculptures, using textures or paint to reveal deeper meaning. My YOKED BACK series focuses on the multitude of stresses or duties a woman’s back endures. The horse harnesses represent the concept of beasts of burden. Being the Backbone of Traditional to modern families a woman’s back is not only beautiful but full of strength and resilience. California Dreaming, Suspended Koi and Peony Princess are all part of this series.
The Monkey King – Ceramic coil built, decorated with hand made sprigs, Glaze, acrylics, Gold leaf . Inspired from trip to Kerala India.
Face made from gypsum and polypropylene fibers; contains snake vertebrae, porcupine quills, feather, Lakota paper, metal spiral, Heart Sutra calligraphy, mud cloth, thread, found stick, and cut tacks. Attached to mahogany wood.
“Flourish”
Acrylic
30x40x2
June 2025
Unframed stretched canvas
There was a reason that she was so romantic about the Moon. It never asked her questions or begged for the answers nor did she ever have to prove herself to it. It was always just there—breathing, shining, and in ways most humans can’t understand: listening.
Christopher Poindexter
“Nocturne”
Acrylic
30x40x2
June 2025
Unframed stretched canvas
“Ardor”
Acrylic
24x24x2
June 2025
Unframed stretched canvas
“The only way that we can live, is if we grow. The only way that we can grow is if we change. The only way that we can change is if we learn. The only way we can learn is if we are exposed. And the only way that we can become exposed is if we throw ourselves out into the open.”
– C. JoyBell C.
“Verdant”
Acrylic
24x24x2
June 2025
Unframed stretched canvas
Hand sculpted and painted clay head with hand forged copper circle placed atop a vintage Chinese brush.
SOLD 6/21/25
Hand sculpted and painted clay head (with mantra Om Mani Padme Hum inscribed on back of head) placed atop a vintage Chinese brush.
SOLD 6/26/25
Mounted on metal stand.
15 x 5 x 5 inches
Jizo is a beloved Bodhisattva found within many Buddhist traditions and is said to help us cross the threshold of death and loss and safely accompanies us through the ‘hell zones’ of deep suffering. Jizo (‘Earth Womb’) brings us the qualities of courage, fearlessness, and tenderness needed to enter into our experiences of grief and loss and to open our hearts to the mystery of life and death.
Art enables us to find ourselves
and lose ourselves at the same time.
~Thomas Merton
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